Silvia Tarozzi, inspired by the poet Alda Merini and her studies with composer Garret List, worked with intimate personal history to write songs of love, motherhood, and the mystery hidden behind the curtain of everyday life. Over the course of nearly a decade, Tarozzi practiced setting the poetry of Alda Merini to music and then replacing it with her own to reflect her own life experiences. As a result, ‘Mi specchio e rifletto’ feels both poetic and earnestly autobiographical.
A longtime collaborator of Eliane Radigue and a talented free improvisor, Tarozzi inspires as sensitive awareness while echoing progressive music forebearers. Past masterpieces reverberate throughout: the gentle chamber explorations of Penguin Cafe Orchestra, the science fiction of Franco Battiato’s 'Fetus', the abstract free jazz flourishes of Maria Monti’s 'Il Bestiario', the sweetness of Caterina Caselli’s 'Primavera'.
As a solo performer, Tarozzi has collaborated with composers Eliane Radigue, Pascale Criton, Cassandra Miller and Martin Arnold. In duo with Deborah Walker, and as a member of Ensemble Dedalus, she has worked with Christian Wolff, Jürg Frey, Michael Pisaro, Catherine Lamb, Sébastien Roux, and many others. She previously released Philip Corner 'Extreemizms: early & late' on Unseen Worlds in 2018.
released August 28, 2020
Silvia Tarozzi, voice, violin, keyboards, piano, casio sk-8, midi keyboards, slide guitars, accordion, field recordings
Edoardo Marraffa, tenor and sopranino sax
Domenico Caliri, electric and acoustic guitar
Deborah Walker, cello
Enrico Lazzarini, double-bass
Vincenzo Vasi, electric bass
Caterina Romano, flute, piccolo
Jessica Colarelli, clarinet
Tiziano Popoli, piano
Valentina Malanot, voice
Music and lyrics by Silvia Tarozzi
Recorded and pre-mixed by Enzo Cimino between December 2015 and February 2016 at Vignola (home studio) and Bologna (SoundLab studio) and by Tiziano Popoli in January 2019 at Vignola (Popoli home studio), Italy.
Mixed and mastered by Bob Drake between June 2016 and October 2019 at Studio Midi-Pyrénées, La Borde Basse (Caudeval), France.
“Mi specchio e rifletto” and “Anna”, mixed by Silvia Tarozzi in April 2019.
supported by 46 fans who also own “Mi specchio e rifletto”
An absolutely devastating, beautiful, horrifying project. Clips of old jazz transformed into a terrifying journey into dementia. It was a brutal 6 hours, but I am thankful for the experience. bongwaterboy
supported by 43 fans who also own “Mi specchio e rifletto”
“With Julius, he was based in repetition, but here was a spirit of openness and improvisation. His scores, if they were written out that way, were often like jazz scores. He loved multiplying instruments – four pianos, ten cellos – so there was a real feeling of the presence of the instrument, not just using an instrument in some kind of equation, as a means to an end.” ~ Mary Jane Leach
Enough said. pt